Critical and Post-Modern Organization Theory Free Essay Example, 2500 words

The key concepts are subjectivity, temporality, progress, and rule of law. Critical & Modern Theories Changing Manager’s Behavior Critical Theories and Post Modern Theories both have assisted managers and management in changing their working behavior. Some of the theories we are going to discuss under this are Critical Management Studies (CMS), Organization Cultural Theory, Stakeholders Theory, Critical Theory of Globalization, Critical Theory and Management and Labor Process Theory. They are also wide variety of other theories as well that elaborate the changes in manager’s behavior but we are going to focus in respect to these theories only. Critical theories have advanced themselves to different fields and subjects. Further they play a major role in social sciences, especially physiology and other disciplines but the changes they encountered within the organization structure have landmark contribution. Critical Management Studies Critical management studies (CMS) was initially responsible in the development and expansion of business schools and for providing academic training to graduate schools of sociology, history, philosophy and psychology. Critical theory is ranked as the most prominent and influential within the development of critical management studies. There are other theories as well, such as; labor process theory, post structuralism and critical realism but critical theory holds a distinctive philosophical characteristic that makes it a benchmark as compared to others (Scherer, 2008). We will write a custom essay sample on Critical and Post-Modern Organization Theory or any topic specifically for you Only $17.96 $11.86/pageorder now Further Critical management studies play an important role in organizations mangers not only need to understand these advancements but to remain competitive in this global world they need to undergo training sessions.

Team Performance And Patient Safety Initiatives - 1305 Words

Team Performance and Patient Safety Initiatives Patient safety and quality care is the center of every health care provider’s initiatives. According to the Institute of Medicine (IOM) report â€Å"To Err is Human†, adverse events and medical errors happen at an alarming rate with approximately 400,000 deaths a year (Epps Levin, 2015). An evidence-based practice, team strategies and tools to enhance performance and patient safety (TeamSTEPPS), is a comprehensive program that brings staff together to train and enhance patient safety initiatives (Epps Levin, 2015). The purpose of this paper is to determine the tools teams use to improve patient safety while incorporating teams’ strategies to provide quality care and how this applies to the†¦show more content†¦These elements, when put to proper use, will create an environment of teamwork, reduced medical errors, and positive patient outcomes. Leadership can support a TeamSTEPPS approach to improving patient safety and quality of care. Through financial assistance, communication effort, and a commitment to providing high-quality training to all disciplines, organizations can support the directives in TeamSTEPPS (Ward, Zhu Lampman, 2013). Team leadership is a key core competency of the Team STEPPS approach to promoting quality and preventing errors (Clancy Tornberg, 2007). Team leaders must be adept at motivating, creating a positive environment, assess performance, and creating opportunities for education and skill development (Clancy Tornberg, 2007). Partnering with a member of senior leadership is an additional strategy for increasing performance and patient safety (AHRQ, 2012). Specific strategies the senior leader can adopt are to meet with the team on a regular basis to identify and remove barriers to project success. They can accomplish this by allocating needed resources, facilitating interdepartmental communication, which increases project awareness and support at the executive level (AHRQ, 2012). The multidisciplina ry staff including physicians, nurses, and other healthcare professionals must work together as a team to provide

The Elements of Transition and Threshold Spaces Free Essays

Passage infinites are those infinites that are passed through in the journey to finish, some being the finish themselves. Threshold is a starting point or point at which something begins to take consequence. Passages and thresholds are infinites or points of alteration in a journey. We will write a custom essay sample on The Elements of Transition and Threshold Spaces or any similar topic only for you Order Now They define our place in relation to where we have come from and where we are traveling. The experience and impact of a passage infinite is influenced by how it is revealed and how it relates to its milieus. It is believed that we, the perceivers are in a uninterrupted duologue with the infinite we are detecting. All the elements in the infinite speak to us. The more dominant 1s tend to talk first or we can state reveal foremost. This disclosure creates interesting experience through a passage infinite, making a better sense of journey and topographic point. There are assorted ways in which infinites or elements in the infinite are revealed. â€Å"Much of the delectation of a topographic point lies in how one gets to it.†2 2 Kevin Lynch,Site Planning, 3rd erectile dysfunction. ( Cambridge, MA: MIT Press, 1984 ) , 329. It is hence non incorrect to state that it is the creative activity of journey, the passage infinite and the disclosure of objects or elements both touchable and intangible, which generate stimulating experiences and heighten the sense of topographic point. The spacial experience of a passage infinite is a series of assorted degrees of containment and openness, shadow and visible radiation, degree alterations, frontage beat and forms and assorted other factors. The elements Passage through infinites can besides be looked at constructing degree. We can see passage infinites in a vehicle and other on pes. So one is vehicular experience and other is prosaic experience. For a prosaic it is the finer inside informations that he experiences. He perceives all points of difference and alteration within the boundary really accurately, which he would be given to lose out while detecting from inside a vehicle. The proportions and densenesss of edifices along the border of the streets influence the experience of the journey along the street. There may be narrow streets with tall edifices on both the sides. There are other streets with edifices on one side and unfastened countries on the other side. In both the instances the prosaic experience is rather the antonym, one gives the feeling of containment while the other gives you the feeling of openness. The feeling of openness is enhanced when it comes after the feeling of containment or frailty versa. These intangib le feelings of containment and openness can be generated by many more ways. The interior decorator merely has to play with the volume of the passage infinite and the borders in order to bring forth these feelings. One must besides gain that a infinite might non be unfastened in true sense but it in relation to the infinite predating it or infinite next in row can be considered unfastened. This brings us to another facet of a passage infinite which is they are frequently perceived in relation to infinite environing it. In order to understand passage infinites it is really of import to understand thresholds. As antecedently mentioned thresholds are like points of alteration in a journey. A door in the wall is a threshold which connects two otherwise separate infinites. Some interior decorators use different elements like little bridging elements to make thresholds. These thresholds enhance the sense of topographic point by restricting the position of what is beyond and make expectancy. Some usage thresholds to concentrate or pull attending towards a certain component in infinite. So in one topographic point thresholds are used to hide while in the other they are used to uncover. Thresholds for different edifices are designed otherwise. You will detect a toran with graven images of Gods and goddesses carved out in them in the thresholds of a Hindu temple. Whereas you will detect a corbelled arch with a wooden door as a threshold in a house. Some thresholds are designed to stand for the position of the edifice or the street. Since clip immemorial the drama of shadow and visible radiation have been used to make a beat within the street or even inside a edifice. Shadow of the edifices, trees, vehicles parked, people and other objects create a beat. You may detect that it is at these points where people pause before traveling on to the following infinite. Just like shadow adds deepness in a 2D picture, the drama of shadow and visible radiation add life to any infinite. If the enchantment of shadow or visible radiation is big plenty to go a possible infinite so interior decorators create thresholds at the alteration from shadow to visible radiation and visible radiation to shadow. Other normally experient characteristics are stairss. They connect and separate infinites. They can make a sense of reaching. The placement of the flights of stepss influences the experience of reaching. The steps contained within the passage infinite defined by the edifices create a strong sense of separation. Through dividing the flight into two the tallness of the flight is less dashing and a infinite is defined by the landing. The landing becomes a passage into the confined infinite and the stairss at the terminal lead out of the infinite. Peoples are a really of import portion of the experience. Lynch, Kevin, 1967,The Image of the City, 3rd print, MA: MIT Press, Cambridge, Massachusetts, and London, England. â€Å"Moving elements in a metropolis, and in peculiar the people and their activities, are every bit of import as the stationary physical parts. We are non merely perceivers of this spectacle, but are ourselves a portion of it, on the phase with the other participants.† The sight of old people sitting and reading newspaper, kids running about or playing games, adult females speaking in the front pace and making family jobs are a common sight in societies. It is these people that add life to any infinite. A market topographic point with people is more welcoming and pleasant than one without them. This does non intend that a topographic point without people appears dead. Even without people the infinite is still alive. The place and seting propose a infinite that is used by the people who live at that place, the scooter parked in the street suggests that person is place, the stairss lifting up to a door connect the street to the upper degree. The Windowss looking over the street perforate the mass of the edifices supplying connexion between interior and outside, a sense that person could be watching. The figure of doors accessing a public infinite affects the security of the infinite. An flat block serviced by merely one entree onto the street activates the infinite every bit long as there are people utilizing the door, but when no 1 is coming or traveling a individual door offers no indicant of the figure of people utilizing it. Multiple doors indicate a larger figure of people potentially utilizing the infinite. The more doors that entree a public infinite the greater the sense that people could emerge from the door, supplying activation and security in the infinite. Nowadays people have started edifice boundary walls. They frequently have one chief gate. The infinite outside the walls is activated merely when people use that gate. You can visualize a school gate with tonss of little kids running out of the gate. The street in forepart is active merely so. A boundary wall may be supplying security to the people inside but it makes the infinite around really insecure. At times t he infinite within the boundary walls is besides non safe. An easy solution to this job of security is to increase the porousness in the walls. Many doors accessing a street work the same manner. How to cite The Elements of Transition and Threshold Spaces, Essay examples

Question Conservation of Energy free essay sample

Missy Diwater, the former platform diver for the Ringling Brothers Circus had a kinetic energy of 15 000 J just prior to hitting the bucket of water. If Missys mass is 50 kg, then what is her speed? Solution: According to energy conservation, the kinetic energy at the bottom of the dive (15,000J) is equal to her gravitational potential energy before the dive. We can use this fact to find her dive height: PE = mgh h = PE/mg = 15,000J / (50kg)(9. 81m/s? ) 31m (rounded) Her speed can also be found from energy conseration: E(final) = E(initial) 0. 5mv? = mgh v = v[2gh] = v[2(9. 81m/s? )(31m) = 25m/s 2. A 750-kg compact car moving at 100 km/hr has approximately 290 000 Joules of kinetic energy. What is the kinetic energy of the same car if it is moving at 50 km/hr? Solution: KE =v^ 2 (Kinetic Energy = speed ^2 If the speed is reduce by a factor of 2 (as in form 100 km/hr) then the KE will reduce by a factor 4. We will write a custom essay sample on Question Conservation of Energy or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Thus,the new KE = 290 000 J / 4 KE = 72 500 J 3. A cart is loaded with a brick and pulled at constant speed along an inclined plane of an angle of 30o to the height of a seat-top. If the mass of the loaded cart is 3. 0 kg and the inclined distance of the seat top is 0. 45 meters, then what is the potential energy of the loaded cart at the height of the seat-top? Solution : PE = mgh PE = 3 kg x 10 m/s/s x 0. 45m PE = 13. 5 J 4. A 75kg trampoline artist jumps vertically downward from the top of a platform with a speed of 5m/s. How fast is he going as he lands on the trampoline 2m below? If the trampoline behaves like a spring of spring constant 5. 2E104 N/m, how far does he depress it? Soluiton : a) s = 1/2(u+v)t 2. 0m = 0. 5 * 5m/s * t 2. 0m = 10 * t t = 2. 0m/20 t = 0. 1s b) Hookes Law states F=kx x is the displacement of the spring (depression) F = Restoring force k = spring constant Rearrange. x = F/k What is the force upon hitting the trampoline? We have the mass so lets work out the acceleration. Acceleration = velocity/time Acceleration = 5/0. 1 = 50m/s^2 F=ma F = 75*50 = 3750N Substitute into Hookes Law x = 3750/(5. 2*10^4N-m) = 0. 072m of depression